ANNIE PANNIE
Short Film
When a troubled girl and man meet in a motel room, one
gets more than they bargained for!
Cast and Crew
Kiki
GEORGIA HENSHAW
Georgia is a Welsh actress best known for her lead roles on British television including THE ACE GANG, Rosie in ANGUS, THONGS AND PERFECT SNOGGING, and JJ's love interest, Lara, in SKINS.
She has also appeared in TWO PINTS OF LAGER, starred in WATERLOO ROAD and most recently had key roles in CALL THE MIDWIFE, CASUALTY and DOCTORS.
https://en.wikipedia.org/wiki/Georgia_Henshaw
Ryan
NICK BARTLETT
Nick Bartlett is a prolific actor who has appeared in several high budget movies including WORLD WAR Z, GANGS OF NEW YORK and GREAT EXPECTATIONS.
He has also featured in many TV shows across the years including EASTENDERS, CASUALTY and THE BILL - and enjoys working in live theatre, having recently starred in THE LADY IN THE VAN in Brighton.
Director
DEANNA DEWEY
Deanna is an award-winning director and children's author. Her feature DEAD FRED starring Sandra Dickinson won Best Ensemble Cast in Toronto and her family feature ADVENTURES OF THE CRYSTAL SKULL has recently been released in the USA.
Her children's books include WHISPERS IN THE WIND and she has just finished writing a book adaptation from her movie ADVENTURES OF THE CRYSTAL SKULL.
Writer
CAROL YOUNGHUSBAND
Carol has enjoyed success as a writer in many mediums including film, TV, and theatre. Her seven short films include WHAT HAPPENED TO EVIE winner of 14 global awards including Film Fleadh and her other films have won more than 40 awards and been distributed across the world. Her latest film, CHARLIE'S FREEDOM is currently in post-prod.
She was an additional writer on TV’s Emmy award-winning SMACK THE PONY and is also a published playwright.
Director of Photography POL CAMARERO JUST
Editor TERRY WOOKEY
Score MICHAEL WALTERS
Production Supervisor JOE CAWLEY
Hair and Makeup Artist JULIA PERKOVA
Location Sound Recordist STEVE MCLEAN
Colourist CHRISTOPHER TRIM
Sound Design RUANTH CHRISLEY THYSSEN
Special Effects SOLCA RENATO
Additional FX & Graphics JOHN BRUCE
Behind the Scenes
Awards and Reviews
Annie Pannie has been sponsored by Film Expo South as part of its Short Film Script competition 2022.
In 2022 Carol Younghusband won production for her script ANNIE PANNIE. It was filmed in Tenerife by TF Film Productions and directed by Deanna Dewey. Two highly acclaimed actors - Georgia Henshaw and Nick Bartlett took the two central roles. And in 2023 it began its festival season. Check out the film's successes and reviews below.
Reviews
Planet Cinema Review
by Johnny Vonneumann and Tom Gruenberg
In "Annie Pannie," director Deanna Dewey masterfully weaves a tale of revenge and mystery that is reminiscent of the Coen Brothers' highly-acclaimed film, "No Country for Old Men." Despite the starkly different narrative environments, both pieces utilize a subtle, slow-burn narrative style that draws audiences in, capturing their attention until the very end.
The sense of isolation and impending danger in "Annie Pannie" echoes the tense atmosphere of "No Country for Old Men." Dewey, much like the Coen Brothers, employs her setting not merely as a backdrop, but as an integral part of the story, enhancing the characters' emotional journeys. The rundown motel in "Annie Pannie" sets the stage for a thrilling tale of revenge, just as the desolate Texas landscape in "No Country for Old Men" paints an ominous picture of a deadly cat-and-mouse game.
Dewey's characterization of Kikki is remarkably well-developed and adds depth to the narrative. Much like Llewelyn Moss in "No Country for Old Men," Kikki exists on the margins of society, driven by a sense of justice and revenge. Both characters are flawed yet relatable, and their choices set the stage for an engaging and unpredictable narrative.
Critics might argue that the dialogue in "Annie Pannie" feels robotic at times. However, much like the idiosyncratic dialogue in Coen Brothers' films, it adds a layer of surrealism to the narrative. The seemingly detached exchanges between characters add an aura of unease, pulling viewers deeper into the story's suspenseful world.
The pacing in "Annie Pannie," while deliberate, effectively builds tension and anticipation. The slow unraveling of the plot mimics the Coen Brothers' renowned style of slow-burn suspense, keeping the audience at the edge of their seats, wondering what lurks around the next corner.
Dewey's distinctive use of cinematography, particularly the handheld shots, create an intimate, realistic atmosphere. This choice parallels the Coen Brothers' use of specific, thoughtfully composed shots to immerse the viewer fully in their narrative world. Both directors display a knack for translating complex emotions and themes into visual form, a testament to their artistic prowess.
In conclusion, Deanna Dewey's "Annie Pannie" is a powerful, engaging film that pays homage to some of the best suspense narratives in cinema, yet stands firmly on its own merits. Dewey's ability to craft a captivating narrative, enriched by complex characters and atmospheric cinematography, is a testament to her talent and vision as a filmmaker. Like the best suspense films, "Annie Pannie" lingers long after the credits roll, a testament to the masterful storytelling and artistry of its director.